The Orphanage (2008)
Director: Juan Antonio Bayona
Writer: Sergio G. Sánchez
Starring: Belen Rueda, Fernando Cayo, Roger Princep, Mabel Rivera, Montserrat Carulla
Language: Spanish
Runtime: 105 Minutes approx
Age Rating: 15
Genre: Horror, Drama
Reviewed by Ross Miller
Usually when a famous and well respected director, in this case Pan’s Labyrinth creator Guillermo Del Toro, attaches their name to another film under the title “presents” it will draw fans but ultimately disappoint. The Orphanage has broken that trend, at least for now, as it’s a creepy, skin-crawling and genuinely effective little horror film that should have you grabbing for the nearest thing to hide behind.
It’s not really apparent from the beginning that The Orphanage is going to be the scary ride it soon becomes. It starts off fairly slowly, concentrating very much on the story and the origins of things to come. It sets up things very well for the scares to come, using various techniques to lull us into a false sense of security. But at the same time everything has a creepy air about it, not least of all is the Shining-esque empty house with seemingly endless hallways and huge rooms. The aforementioned Kubrick masterpiece showed us that a huge and empty building can be terrifying in and of itself and The Orphanage has that same thing going for it.
What makes The Orphanage so effective is the carefully and precisely done moments of horror and big jump scares. I would need at least three hands to count the amount of times I jumped throughout the movie, in particular one in which I can safely say everyone in the cinema jumped out of their skin all at the same time, and for any horror film to get that reaction from me that many times I commend it thoroughly.
The film uses various different, effective techniques to create the jump scares and general horror tension. Most notably is the use of music, when and how it is employed. Usually in a horror film the music will either build up and up and culminate right when something jumps out at you or it will culminate then there will be a moment or two of silence and then something will jump out at you. The Orphanage builds the music for an extended period of time, culminates as you would expect and then nothing would come of it. This happens more towards the first part of the movie, the music becomes more and more few and far between as the movie goes on, and is used to great effect. This could possibly frustrate some viewers who are used to, want and expect the regular kind of jumps scares but it’s part of the reason it works so well. It plays on audience expectation, does things differently and then proceeds to make you jump regardless.
